flamingos flying over tanzania’s lake natron, a salt lake which is home to three quarters of the world’s three million lesser flamingos, as well as toxic multicoloured extremophile cyanobacteria that thrive in water so hypersaline it would strip away human skin. for the flamingos, however, the tough skin and scales on their legs prevents burning, leaving them uniquely free to drink from the near boiling freshwater found from springs and geysers at the lake’s edges. (x, x, x, x, x)
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EVERYTHING EVERYWHERE ALL AT ONCE (2022) dir. Daniel Kwan & Daniel Scheinert
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Danilo Stankovic (Swedish, b. 1981), Dream Loss (blue), 2015. Oil on canvas, 170 x 130 cm.
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When we started to do punk, we put all of these things together to create the look of an urban guerrilla - a rebel.
I was so upset with what was going on in the world. I just couldn’t stand the idea of being people tortured and that we even had such a thing as war. I hated the older generation, who had not done anything about it. Punk was a call-to-arms for me. — Vivienne Westwood (R.I.P.)
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My silly husband. Probably making things worse.
EVERYTHING EVERYWHERE ALL AT ONCE (2022)
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Irving Penn (1917-2009) - ‘Cracking a Lobster Claw, New York’, 1999
Fuji crystal achive print
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Basket of Light, Sumpagno, Guatemala, 1989.
Photo by Flor Garduño
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